More progress has been made!
I tend to save old strings to mess around and do a basic set up.
I don't do it every time but this seemed like a good candidate.
These came from a Jazz bass and I think I may have cut them
a little short!!
Never mind, they are only temporary, I'll correct that later on.
Having fixed the broken joint and fitted a new battery, it was time
to plug it in.
Very nice, indeed!!
On passive there is quite a big sound to it with some tones that are
more than acceptable - turn on the active - Wow!
As you have seen from the previous post, it has an "old fashioned"
looking circuit but there is a lot going on in there.
The rear control knob operates a five position rotary switch, which
takes you from a deep, powerful thud, though to biting highs.
After playing around with it for a while, I think my favourite is
position two - big bottom end with some mid bite. Nice!
I must have taken the strings of the Jazz, as they were loosing their
edge but on this, they seem just fine!
The bridge is totally floating and to be honest a bit of a fiddle but
seems to follow the design of some other Reeve basses I have seen.
The action and intonation aren't set at the moment - I'll get around
to that soon, as I think I will leave these strings on for the time being.
The frets have come up really nicely and the wonderfully "hand made"
string anchor works a treat, with the setting being done with the little
tool screwed into the bottom. How thoughtful!
A few minor jobs to finish off and then time to plug it into something
big and powerful!
Back next time with a full report.
Cheers. :)
Hi to all you patient readers. :)
Right, where are we up to now?
Here!!
The top shot show the tuners finished and re-fitted and the
one above shows it when I took the cover plate off it.
As you can see, in red marker, it says "Derek".
I have no idea who Derek is or was - or what the arrow is for,
unless Derek was the engraver and the instruction is "this
is the top"?
All cleaned up inside with a dab of white grease, to keep it
running smoothly.
The other day, whilst I had the iron out, I sorted out the
wayward wire, which was the only thing that was wrong
with the electronics.
And finally, for this post - I cleaned up the board, making
the frets and the brass position markers stand out very
nicely - all shiny.
One coat of lemon oil, job done.
Currently, I am in the middle of cleaning the body and
refitting the bridge, then the string retainer and the knobs
for the pots and selector switch.
So, back next time with more details and pics.
Cheers. :)
Any regular readers will know I did a big feature on
Peter cook, the guitar builder - perhaps most famous
for his work with The Who.
He also made many other instruments, including these.
Quite a long time ago, Peter and I arranged another meeting
but Peter was not well at the time and that has sort of been
on-going, for some time.
In his own words, he said that the "Nuking" was over and he
is back in the loop.
So, after some considerable time, we are going to meet up,
early next year and chew over some of the other work he did,
as well as catching up.
I am pleased to tell you that he is back out gigging again,
with "July"
July - The Band
I had a lot of readers follow Peter's story, so. . . . sit tight
and I'll keep you posted!!
The Reeve is coming on nicely - pics and details to follow!
Cheers. :)
Dear readers.
I have had a bit of a telling off, which to be fair, is probably well deserved!
One of my long time readers, sent me several screen shots a few months
ago and said, that having done a search on various search engines, my
collection came first, top left, on a lot of the ones he tried.
Fair enough!
He continued with "so why don't you get cracking and show us some more!!"
Well, it's finding the time!!
The Reeve project has taken so much longer than it should - the weather
has not been too bad over the summer - hedges to trim, grass to be cut, gigs
to do and go to, several trots down to the pub and all manner of other things!!
I have apologised in the past, for my lack of continuity but anyone who runs
a blog, will know it takes more than just a few words.
Some I know, make an entry almost every day!
So, this is not an apology, more of a I will try harder - the winter is on it's way
so I may be able to knuckle down again.
And. . . . while I'm here, this is a call to anyone who has a Reeve Guitar or Bass.
I have had several good contacts from owners and would like to hear from others.
The Reeve is in hand and I will be putting up another post. . . . Real Soon!!
Cheers. :)
Two posts in one day!!
Yep, it's like London busses - you wait for ages and then
several all turn up at once!!
Back at the start of the year, I was contacted by Willie Mosely,
who writes for The Vintage Guitar magazine - he was writing a
book on Peavey guitars and basses and had read some of my features
that I had done with the help of Chip Todd.
Well, the book is finished, a few of my examples have been used in the
book and my copy arrived today.
If you are interested in Peavey, a very worthwhile purchace!
Fame at last!!
Cheers. :)
Back onto the Reeve restoration next time. :)
I've just received this comment and thought it worthy of posting up.
"Hi Flat Eric, Some info on Reeve guitars - bear with me it's a bit of a
yarn!
First, I bought a Mex Tele (I'm a 6 stringer by the way) that
needed a set up.
My bassist at the time suggested I take to a mate of
his, one Jez Reeve in Luton. This we did and Jez did a splendid job for
really no money and whilst I was there I took a shine to one of Jez's
creations, a Tele shaped beast with stunning looks and magic action that
I nicked from him for £300 (his asking price) - the hardware alone is
worth twice that! My abiding memory is how utterly charming, generous
and talented Jez was and what a lovely wife he had.
Sadly I heard about a
year later that Jez had passed away and that makes my Reeve Tele so
much more special.
The world of music is a much poorer place for not
having Jez around but I am privileged to have a fine example of his
artistry. One other piece of info: in conversation Jez mentioned that in
his early days he was associated in some way with the old Alligator
guitar company.
I do have the name of the person but won't post it up.
Please, please get in touch - more and more Reeve are coming out of
the woodwork, all with similar tales of how pleasant the two of them were.
Contact me here
Cheers. :)
I have finally managed to get back onto the Reeve!
Just so busy, these days!! :)
Before that. . . . how about this!
This is Nick Smith's Collection!
I've know about Nick for around 6 or 7 years, corresponded
with him quite a few times - helped me out with details of
the controls on my Axis (he had one) but to date, never met
this collector, extraordinaire!!
Our mutual connection here, is Lars Mullen.
He is always on the lookout for another collector, so I put
forward Nick's name.
This is a link the the whole feature:
Nick Smith's Collection
Nice!
Right, so this is how all the brass ware looked:
This is what they look like now:
There is a little more work on these required - re-assembly
etc and then they will be put to one side, ready for re-fitting
when the other work is done.
Hope to be back soon.
Cheers. :)
After a bit of research and a few pointers from readers,
I decided to approach Kent Armstrong, to confirm that
the pick-ups in the Reeve, were his.
This was his reply and the subsequent conversation:
Yes they are mine that I made many years ago !!
What do you need to know ???
Kent, Hi.
Just a few questions. :)
On that type of pick-up, could you put a date on them - sort
of 19** to 19**.
What sort of output would they have - they seem nice and punchy!
What would the connections be?
The tabs to solder to, on the underside
And finally - Until I took them out, I was convinced that they
were wooden covers.
Is the grain part of the mould?
Look forward to your reply.
Cheers. :)
Well let us see they were made in the early eighties .
They are ceramic magneted to give that crunch.
They are made from a wooden master but are cast epoxy .
The connectors are from left to right either way
1= finish coil one ,2= start coil one,3= start coil two
and 4=finish coil two.
Hope this helps you ??
Kent
I am in the process of cleaning up all the brass parts, at the moment.
A thorough clean of the board and the frets - re-solder the broken
joint and a few other jobs.
Details and pictures next time.
On a different note, an avid reader of this blog - Hi, you know who
you are!! - has asked if I would be doing another part of the collection
with Lars Mullen.
All I can say at this stage is. . . . . let's see what happens next spring!
Cheers. :)
