Sunday, 11 August 2013

Aria RSB Deluxe Bass. . . . .

Another Aria Bass!!



















This is an Aria RSB Deluxe, in Pearl White.

This, I think, is a more rare colour - I have only ever seen a
handful of others in this colour.

There are a lot of different sounds from this bass.
I used this last Thursday, at rehearsal and set up a sound
that just came easily to hand and during the first number, I
thought to myself, sounds very Ric!
In fact, playing around with the stack controls and selectors,
all sorts of sounds and tones can be had.

This one has been out with me before.

Here:
Aria RSB Deluxe

Aria RSB Deluxe Bass


I also have an RSB Special, which is pretty much the same as this
but with two MB III pick-ups, this one has one MB III and one
MB-J1, tapped coil pick-up.

On this Deluxe there are stacked pots, Vol & Tone, a selector and
"Dual Sound" and Coil Tap switches. 




















These were very High End basses and 30 odd years ago, would have
cost a lot of money.

Aria Basses of this era, have Endurance! 
They are just as relevant, as they were all those years ago.
Very well built and thought out, great to play, great sounds - what
more could you want - So many Pro Players, used them. 


















  

The decal on the headstock, details "Smooth Joint", which if  you
look at it, sort of describes the way it is.




















Graphite nut, smooth and accurate tuners, good solid bridge, not
heavy, nice balance. . . . . need I go on.

Aria RSB Deluxe - A Great Bass!


Cheers. ;) 

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Wednesday, 7 August 2013

Basses on the lawn. . . . .

Ibanez Studio ST-824 and Ibanez RS 900.

I took these shots for a couple of people who have a great interest
in Ibanez instruments and have several of their own, so I thought
I would share them with you.





































Those who follow the blog on a regular basis, are now probably
thinking "I've seen that one before!"

No, this is the other one! This one is not the one in the shots
with the 8 String, it's a different one. :)

I was put onto this one a couple of years ago and just couldn't
help myself!

This is the RS 900 that has been featured a few times - took
it out to rehearsal last week and the memories of gigging it
came flooding back - what a great bass!






















I think the green of the lawn makes a great background - I think
I'll do a few more, before the winter sets in!!

Back with more, next time.

Cheers. :)

Skal. :)

Santé! :)

:)

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Wednesday, 31 July 2013

Peavey T-40 Controls and Switches - Sounds from a T-40. . . .

More "Forty" stuff!

I was put onto these by a fellow "Forty" owner and someone who
now has one of my Sunburst Blades.

Very informative, well thought out and very well demonstrated.
The demo is on one of the early "Toaster" models.

Enjoy!








 Cheers. :)

Friday, 19 July 2013

Ibanez RB-650, Hot Marquee and Davy Knowles. . . . .

Ibanez RB-650, in White!




















 I have two of these - a red one and this one.

These basses, like the Blazer, punch way about their weight - ask
anyone who has played a Blazer or a 650!

I gigged the red one quite a bit, a couple of years ago and it went 
out with another Ibanez, as a matched pair, for the night.
Lots of punch, plenty of bottom and enough brightness to cut 
through the mix, without sounding too brittle.
Perfect!

























This one has done 3 gigs, in the last 8 weeks - rotating it, with 
another favourite of mine.

The last gig was a week ago, during this spell of hot weather we 
are currently having - in a 4000 square foot marquee, with two
small entrances and a rear access point, the size of a normal door.
HOT! You bet!
I don't think I have ever drunk so much water, in such a short
space of time!

Anyway, the RB performed faultlessly - as you would expect.

Something a bit unusual on these, and it must be on all of them,
as the other one is the same - the blend between the two pick-ups,
is very gradual, not like many other 2 pick-up basses.
You can take the blend down to around 7 on one of the pots and
hear a subtle difference, all the way to that point.

A neck that is just about right, for almost anyone - a little bit
slimmer than an average Precision - great balance and weight,
all add up to something that is really nice to play.

Here it is, in it's starring role - not the best of pictures but good
enough to show that it is "at work".

























On the way back home, slightly cooler at 1.00am, I popped
a CD into the player - Davy Knowles "Sessions" - turned it 
up loud, rolled down the windows and "Headed out on the 
Highway!
Brilliant!

Cheers, :) 

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Wednesday, 3 July 2013

Antoria 12 String. . . . . . .

Antoria twelve string acoustic guitar.

As I am on a run, with some of the guitars - I thought now would
be a good time to feature this one.




















This is the only acoustic guitar that I have and I have had this 
old fella for a very long time - since the 70's!

This was the only the second twelve that I had played - the first
go was on one that a friend of the family had and I fell in love
with the sound of it.

In the old days. . . . . pre internet/mobile phone/tablet. . . . .
the only way you could put things up for sale, was a card in the
local shops or in the local newspapers.
I used to read the musical column, every night - drums for sale,
violins, trumpets and. . . . the odd guitar.

After looking for a 12 string for only a few weeks, this one came up
and it was in the village that I lived in - bonus!
Tried it, liked it, bought it!
I think it was either £24 or £34 - it was a very long time ago.

The short journey home was full of excitement and when I got
there, that was it for the night.
Woke up in the morning with VERY sore fingers - I can still 
remember it, as I couldn't play it again, for a couple of days. :(

So, what is it like to play?

Since I bought it, I have played loads of 12 strings but to date,
I have never found one as sweet.
The action is so low and up until around ten years ago, no fret 
buzz - there is just a little fret wear, now but you can hardly
notice it at all.

From what I understand, from when I bought it, I think is was
made in 1973 or 1974, just at the time when Japanese instruments
started to be be taken seriously - some, very seriously!

The top, around the bridge, has bowed very slightly, as a lot of 
acoustics do, as they get older and as legend has it, this improves
the tone.
I can't say that it sounds any different to me but I don't suppose 
it would, as it would be a very gradual process.
It also has a beautiful Rosewood Fingerboard, that looks very
nice, indeed.

There you have it - Antoria Model 628 - 12.





























Next time, another bass - in fact another Ibanez, that I have gigged
a couple of times in the last few weeks.

Cheers. :) 

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Friday, 28 June 2013

Peavey T-60 . . . . The Black one!

This was my "go to" guitar, in the rehearsal room, for a good
couple of years.



















This one is the later Blade, with Bat switches.

The all sound slightly different - this one is particularly powerful and 
once you get it singing, it will hold a note for ages.
 

Not much else I can say about this old fella, that I haven't said already 
about the Peavey T range. 

Just a nice guitar!

Will put up some better shots, in the future - a bunch of the "T's", 
all together.
I was having a bit of trouble with the camera/lighting on this one.
Must try harder!

Next time. . . .  another guitar, that I have had for almost forty years!!
There's a bit more of a story, to that one!

Cheers. :)

Wednesday, 19 June 2013

Ibanez ST-55 Studio Series. . . . . .

Another Guitar!!
Yep! 

I've only had this around four years - I was going through an Ibanez
Guitar thing and saw this.





 I took a bit of a chance on this, as the guy who was selling it said that
it sounded great - he had upgraded the pick-ups, it had been gigged 
and may need to be re-fretted!
Yet, to me, looking at the images he had got, it looked pretty good.

After several e.mails, I decided that it was worth adding to the Ibanez
collection.

When I went to collect it, I was very pleasantly surprised!
Yes, it could do with a gentle wipe down and the strings were looking a 
little tired and tarnished but the frets looked great and there was barely
a mark on it, for something that was around 30 years old.
The deal was done.

Arriving back, I was able to give it a more detailed look over.
It was sweet!
There was, however, a bit of fret buzz, which seemed to relate to light
gauge strings and almost no relief on the neck!

There followed some cleaning and setting up, which took less than an
hour - a set of 10 to 42, tune up. . . . .  Wow!
Singing like a bird!

I have bought quite a few basses, where the description has been
"hard to play, as the strings are a long way off the frets" - these
showing the opposite problem - too much relief.

Anyway, back to the ST - A very Gibson like feel, big sound, a lot
of sustain, nice balance and about the right weight.

Currently, this is now strung with Ernie Ball Power Slinky strings,
11 - 48 and is tuned to Eb - half a tone down.
Thunderous!

As I am on a roll, with Guitars - I'll throw in another one, next time.























Cheers. :) 

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Thursday, 13 June 2013

Ibanez Flying Vee. . . . .

A true blast from the past!!




This picture was taken around 1980, I think - just before a serious 
lack of funds, meant that I had to let it go.

I have no idea where it is now but it had a unique stainless steel
scratch-plate which had a machine turned design on it.

The shot is not very good, as it was taken on a Kodak Instamatic,
which was not the best bit of kit!!
I have managed to convert to digital, from some recently found 
negatives, with a handy negative scanner.
 
I had it's original case and drew a lot of attention, when the case 
was opened.
It was 33 years ago, so if I'm honest, I can't remember much about it.
I guess quite collectable, now.

Back soon with another Ibanez Guitar - thought I would do more of
the Six Strings.

Cheers. :)