As I said in part one, Julius is mainly known for historic car racing.
That said, his following email was also very interesting, with little mentioned about the cars.
What a colourful past he has! 👍
More from Julius. . . . . .
I did the COYS ROCK sales for a couple of years. I have always bought and sold guitars, more as a hobby than a business – trading up and down on various finds.
Actually, I am not a player at all. My first ‘kit’ Fenton Weill got me interested in the construction of guitars and that went through a few modifications before parting with it with a ‘Dixson’ headstock logo (Family name). Sold to a guitar shop in Putney for £24.00. So, it was the engineering of guitars (or lack of it in many cases) that interested me.
Being in and around Ealing, I also knew the late, great, Chris Eccleshall and commissioned a guitar from him – a double cut Les Paul Special body with a single John Birch pickup. I never actually took possession of it as It was spotted by a member of ‘MUD’ or ‘THE SWEET’ (memory fails me as to which group) whilst still with Chris and I was able to pay back the bank loan that I had taken out to buy it!
Later I worked at Photogram Studios in Marble Arch. Spurred on by my close mate from Ealing, Bob Potter, who was a recording engineer/producer at Island Records. Bob worked with a wide and eclectic range of artists from Jimmy Cliff, Marianne Faithful to Paul Kossoff’s Back Street Crawler Albums. I sat in on many historic recording sessions back then thanks to Bob. Not sure what happened to Bob, sadly we lost touch a few decades ago. Whilst at Photogram, I too worked with a wide range of artists. Bo Diddley, the original ELO, Wizard, Elton John, Stephane Grappelli and even Val Doonican! Great days!
I have attached a few more photos:
Bob Potter – where is he now?
Does anyone know where Bob Potter is now??
I am pretty certain that Julius would appreciate any help. Google Julius for an email contact and drop him a line, if you can help.
Ned Callan SG work in progress with Brian and Mike Eastwood.
Finished result is testimony to the Eastwoods’ magic.
A Watkins Rapier. No: 1380. Fixed neck. No truss rod. Bought
covered completely in thick white gloss house paint. When removing the paint, I
found the hippy doodles on it and managed to preserve them. Scratch plate and
pickup make by the Eastwoods to my order. Will surely annoy Watkins enthusiasts
with OCD for originality, but I think it works well. 😉
Dallas guitar from my archives. I’ve owned a couple in the
past.
Hope that this
feedback is of interest.
Do pass on my best wishes to Peter when you next speak to
him.
My biggest regret in collecting old guitars was not buying a
mint, cased, Peter Cook double-neck at a Northern Guitar Show for £750.00!
Have been kicking myself ever since! 😉
All the best,
Julius.
So the Peter Cook connection is a strong one. Tom Newman, The Tomcats, Ted McDowell and of that era, Sid Watkins.
There may be a sort of part III to this, so I may add something to it.
So, Best sit tight and I'll come back to you as soon as I can
Cheers. 😎
